@article{icocas720,
	author = {Rifzky Miftha Angdani and Dian Annisa Nur Ridha},
	title = {Art of Cheers for Fisherman: “Comparison between Indonesia’s Tarek Pukat and Japan’s Soran Bushi},
	journal = {Proceedings International Conference of Culture and Sustainable Development},
	volume = {1},
	number = {0},
	year = {2023},
	keywords = {},
	abstract = {This paper aims to describe the similarities and differences in cultural elements between two folkdance, Indonesian folk dance Tarek Pukat and Japanese folk dance Soran Bushi. Tarek Pukat is formed of cultural thoughts of coastal communities of Aceh, Indonesia. It originated in the fishing villages as a way to express mutual cooperation and unity in the community. The dance incorporates rhythmic movements inspired by the fishing activities, with dancers imitating the pulling of nets, rowing of boats, and the vibrant energy of the sea. In contrast, Soran Bushi is a popular Japanese work-folk dance hailing from Hokkaido. It was historically performed by fishermen to boost morale during strenuous work at sea. Soran Bushi showcases dynamic movements embodying the physical strength required for fishing. While Tarek Pukat and Soran Bushi both emerged from fishing communities and share a connection to the sea, they exhibit distinct characteristics that reflect their respective cultures. This comparative analysis sheds light on the cultural diversity and richness inherent in traditional folk dances. Examining the distinct features of Tarek Pukat and Soran Bushi provides a deeper understanding of the traditions and values of these },
	issn = {3031-5794},	url = {https://proceedings.undip.ac.id/index.php/icocas/article/view/720}
}